{"id":1132,"date":"2019-04-30T17:11:37","date_gmt":"2019-04-30T17:11:37","guid":{"rendered":"http:\/\/anthrocervone.org\/africanhumanities\/?p=1132"},"modified":"2019-04-30T20:41:22","modified_gmt":"2019-04-30T20:41:22","slug":"harn-museum-exhibit-info","status":"publish","type":"post","link":"https:\/\/www.anthrocervone.org\/africanhumanities\/harn-museum-exhibit-info\/","title":{"rendered":"Harn Museum Exhibit Info"},"content":{"rendered":"<h3>Elusive Spirits: African Masquerades<\/h3>\n<h4>December 1, 2015 \u2013 March 2020<\/h4>\n<p>The exhibition presents 30 masks from the Harn collection, supplemented with loaned works from private collections. Drawing on the Harn\u2019s strengths, most will be from West Africa (Nigeria, Mali, C\u00f4te d\u2019Ivoire, Burkina Faso, Liberia and Sierra Leone), with some from Central Africa (DCR, Cameroon). Masks from the mid-20<sup>th<\/sup>century to the early 21<sup>st<\/sup>\u00a0century show the continuity of masking but also feature new directions in masquerades, such as the fancy dress masks of Ghana. Music and dance are as important as the costume in masquerade.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Elusive Spirits: African Masquerades December 1, 2015 \u2013 March 2020 The exhibition presents 30 masks from the Harn collection, supplemented<\/p>\n","protected":false},"author":1,"featured_media":1204,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.anthrocervone.org\/africanhumanities\/wp-json\/wp\/v2\/posts\/1132"}],"collection":[{"href":"https:\/\/www.anthrocervone.org\/africanhumanities\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.anthrocervone.org\/africanhumanities\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.anthrocervone.org\/africanhumanities\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.anthrocervone.org\/africanhumanities\/wp-json\/wp\/v2\/comments?post=1132"}],"version-history":[{"count":3,"href":"https:\/\/www.anthrocervone.org\/africanhumanities\/wp-json\/wp\/v2\/posts\/1132\/revisions"}],"predecessor-version":[{"id":1205,"href":"https:\/\/www.anthrocervone.org\/africanhumanities\/wp-json\/wp\/v2\/posts\/1132\/revisions\/1205"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.anthrocervone.org\/africanhumanities\/wp-json\/wp\/v2\/media\/1204"}],"wp:attachment":[{"href":"https:\/\/www.anthrocervone.org\/africanhumanities\/wp-json\/wp\/v2\/media?parent=1132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.anthrocervone.org\/africanhumanities\/wp-json\/wp\/v2\/categories?post=1132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.anthrocervone.org\/africanhumanities\/wp-json\/wp\/v2\/tags?post=1132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}