{"id":101,"date":"2017-06-22T17:55:26","date_gmt":"2017-06-22T17:55:26","guid":{"rendered":"https:\/\/www.anthrocervone.org\/introtohumanities\/?page_id=101"},"modified":"2020-10-14T19:41:19","modified_gmt":"2020-10-14T19:41:19","slug":"art","status":"publish","type":"page","link":"https:\/\/www.anthrocervone.org\/introtohumanities\/analysis-i\/art\/","title":{"rendered":"Art"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignright\"><a href=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/il_340x270.781398718_dcez.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"238\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/il_340x270.781398718_dcez-300x238.jpg\" alt=\"Quote: a picture is worth a thousand words\" class=\"wp-image-535\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/il_340x270.781398718_dcez-300x238.jpg 300w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/il_340x270.781398718_dcez.jpg 340w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Visual literacy refers to the ability to discriminate and interpret visible actions, objects, &nbsp;and symbols and to be able to understand and produce visual images in order to convey meanings. This lesson will explore how shared meanings and emotions are communicated visually and symbolically through art.<\/p>\n\n\n\n<h6 class=\"wp-block-heading\">Lesson Objectives<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li>list the basic elements of visual art and how they are used in different ways<\/li><li>identify the principles of design in visual representations<\/li><li>evaluate how meanings are expressed visually through a variety of cross-cultural representations<\/li><li>situate a piece of art in its social and historical context<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">The Elements of Visual Art<\/h6>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright\"><a href=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/6829980_orig.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"190\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/6829980_orig-300x190.jpg\" alt=\"\" class=\"wp-image-521\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/6829980_orig-300x190.jpg 300w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/6829980_orig-768x487.jpg 768w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/6829980_orig-1024x650.jpg 1024w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/6829980_orig-800x508.jpg 800w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/6829980_orig.jpg 1100w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The <em>elements of art<\/em>  are visual components used in a piece of art; color, form, line, shape, space, texture, and value.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Line<\/strong> is defined as a point moving in space, and it may be&nbsp;two-or three-dimensional, descriptive, implied, or abstract.<\/li><li><strong>Shape<\/strong>&nbsp;may be two-dimensional, flat, or limited to height and width. <\/li><li><strong>Form<\/strong>&nbsp;is three-dimensional and enclosesvolume. It includes height, width and depth such as a cube,&nbsp;sphere, pyramid, cylinder, etc). Form may also be free-flowing. <\/li><li><strong>Value<\/strong> is the lightness or darkness of tones or colors. White is the&nbsp;lightest value, and black is the darkest. The value halfway&nbsp;between these extremes is called middle gray. <\/li><li><strong>Space<\/strong> refers to positive and negative areas that define or give a&nbsp;sense of depth. <\/li><li><strong>Color<\/strong> is made up of three properties:<em> hue<\/em> (the name of the color), <em>value<\/em> (see above),&nbsp;and <em>intensity (<\/em>quality of brightness and purity). To learn more about color theory, <a rel=\"noreferrer noopener\" href=\"https:\/\/elearning.cpp.edu\/learning-objects\/color-theory\/\" target=\"_blank\">click here<\/a>.<\/li><li><strong>Texture<\/strong> (refers to the way it feels or looks if touched). <\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Visit the <a href=\"http:\/\/www.getty.edu\/education\/teachers\/building_lessons\/formal_analysis.html\">J. Paul Getty Museum Elements of Art<\/a> weblesson for more details. <\/p>\n\n\n\n<h6 class=\"wp-block-heading\">Principles of Visual Design<\/h6>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright\"><a href=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/a980e6a72a9a47d8d630813683e0b905.png\"><img loading=\"lazy\" decoding=\"async\" width=\"194\" height=\"300\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/a980e6a72a9a47d8d630813683e0b905-194x300.png\" alt=\"\" class=\"wp-image-522\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/a980e6a72a9a47d8d630813683e0b905-194x300.png 194w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/a980e6a72a9a47d8d630813683e0b905-768x1186.png 768w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/a980e6a72a9a47d8d630813683e0b905-663x1024.png 663w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/a980e6a72a9a47d8d630813683e0b905-518x800.png 518w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2017\/06\/a980e6a72a9a47d8d630813683e0b905.png 794w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The <em>principles of design<\/em> refers to the ways that artists use the elements of art in a work of art. The concepts are used to organize or arrange the structural elements of design. The way the principles are applied affects the expressive content and the message of the work.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Balance<\/strong> is the distribution of the visual elements.&nbsp;If the design is a <em>scale<\/em>, the elements should be balanced to make a design feel&nbsp;stable. In <em>symmetrical balance<\/em>, the elements on one side of the design are&nbsp;similar to those on the other side. In <em>asymmetrical balance<\/em>, the sides are different yet appear balanced. In <em>radial balance<\/em>, the elements are arranged around a central&nbsp;point. <\/li><li><strong>Emphasis<\/strong> is the part of the design that catches the eye. This can be achieved through contrast or differences in size, color, texture, shape, etc. <\/li><li><strong>Movement<\/strong> is the path the viewer\u2019s eye moves through the work of art. The path can be directed along lines, edges, shape, and\/or color within the&nbsp;work of art. <\/li><li><strong>Pattern<\/strong> is the repetition of an object or symbol within the work of art, and this can embed action into the piece. Repeating&nbsp;elements also creates unity within the work of art. <\/li><li><strong>Proportion<\/strong> is the distribution of size and the visual feeling of unity created when all parts (sizes, amounts, or number)&nbsp;conform well with each other. In a human human figure, for example, proportion may refer&nbsp;to the size of the head in comparison to other parts of the body. <\/li><li><strong>Rhythm<\/strong> occurs when one or more elements are used repeatedly to&nbsp;create a feeling of movement.&nbsp;<em>Variety<\/em> is the use of several elements of design to hold the viewer\u2019s attention and&nbsp;to guide the viewer\u2019s eye through and around the work of art. <\/li><li><strong>Unity<\/strong> is a feeling of harmony between all parts of the work of art, which creates&nbsp;a sense of completeness.<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">Meaning and Expression through Visual Art<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">In addition to aesthetic appeal, art can also serve as a tangible representation for unique experiences and abstract concepts such as feelings, emotions and ideas. Some things just cannot be put into words, and art provides artists with a visual means to communicate complex experiences that may be difficult to encapsulate through the limited capacity of language by using artistic elements such as color, media, form, movement, balance, pattern, and proportion.  Elements and the way they are used can be a vehicle to communicate meanings that are difficult to express or too complicated to express in conventional ways.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The following PBS Craft in America video entitled Service, illuminates the ways that some U.S. veterans use art and craft to express current or past experiences related to military service.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Craft in America: SERVICE episode\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/65wUnyNdNG4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h6 class=\"wp-block-heading\">Social and Historical Contexts<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Visual art also represents a compendium of personal stories of the past combined with the pleasures of visual art appreciation. This makes it important to situate art in its social and historical context in order to examine the ways that social experiences and historical themes are communicated and expressed from the unique and personal points of view of the artists.  <em>Contextualism<\/em> refers to a process of looking at the cultural context of an artwork. By situating a piece of art in its social and historical context, it can deepen and\/or improve our understanding of the work and may change our first impressions. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Social contexts<\/em>  refers to the social&nbsp;setting in which people live. It includes the broader culture(s) that the individual lives in as well as the people and institutions with whom they interact. It also includes to a person&#8217;s social positioning in a household, community or society. It encompasses demographic factors such as age, gender, sex, nationality, sexuality, class, race or any other social status such as citizen, immigrant, undocumented worker, or aristocrat. Learning about the life and time of Robert Mapplethorpe enhances our understanding of the significance of his photography.  During the 1970s, Mapplethorpe used visual art to challenge norms and ideas about gender, race and sexuality through the lens of his personal struggles for social and family acceptance in American culture at that time.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mapplethorpe: Look At The Pictures - Official trailer\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/KrVYqB0geMo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Social contexts change through history, however. The experiences of being Robert Mapplethorpe during his time and place could be quite different today.  Mapplethorpe&#8217;s work was part of a sexual revolution that reshaped norms and values about sex and sexuality in the U.S.  Many of the themes considered risque during his time can be considered mainstream today.  This makes it important to also address how historical conditions inform social contexts and shape creative processes. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/d5wt70d4gnm1t.cloudfront.net\/media\/a-s\/articles\/2640-199207814432\/the-other-art-history-why-have-there-been-no-great-non-western-feminist-artists-ORIG.jpg\" alt=\"\" width=\"428\" height=\"334\"\/><figcaption><a href=\"https:\/\/www.artspace.com\/mickalene_thomas\/loffre-de-fleur\" target=\"_blank\" rel=\"noreferrer noopener\">Mickalene Thomas,&nbsp;<em>L&#8217;offre de fleur<\/em>&nbsp;(2008)<\/a><\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Historical contexts<\/em> not only refers to the date the work was created, but it also includes the social, political, cultural, economic, and environmental situations that influence and inform an artist&#8217;s creative process and individual motivations for expression. In the social context of women, the worldwide struggles for civil rights, human rights, and women&#8217;s rights movements dramatically altered the experiences of women.  This not only contributed to an increase in women&#8217;s participation in the arts, it also created greater diversity in the representation of women and women&#8217;s perspectives in visual art. Read the article, &#8216;<a rel=\"noreferrer noopener\" href=\"https:\/\/artsandculture.google.com\/theme\/the-feminist-artists-whose-work-you-need-to-know\/IQISUC6SwwhEKw?hl=en\" target=\"_blank\">The Feminist Artists Whose Work You Need to Know<\/a>&#8216; and &#8216;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.artspace.com\/magazine\/art_101\/the_big_idea\/the-other-art-history-the-non-western-women-of-feminist-art-55280\" target=\"_blank\">The Other Art History<\/a>&#8216; and visit the <a rel=\"noreferrer noopener\" href=\"https:\/\/www.guerrillagirls.com\/work\" target=\"_blank\">Guerilla Girls website<\/a> to learn more about the ways gender, feminism and history are expressed through visual art.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.dezeen.com\/uploads\/2017\/09\/banksy-installs-basquiat-graffiti-barbican-news-_dezeen_2364_col_0-852x479.jpg\" alt=\"\" width=\"411\" height=\"231\"\/><figcaption>&#8220;Portrait of Basquiat being welcomed by the Metropolitan Police \u2013 an (unofficial) collaboration with the new Basquiat show.&#8221;<br>Banksy 2017<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Graffiti<\/strong> became a popular platform to express political and social commentaries in the 1970s, and it continues to play a role in politics and social justice throughout the world. Graffiti refers to writing or drawings produced on a public wall or other surface, usually without permission. It can range from simple words in a stylized text to elaborate wall paintings. Although graffiti dates back several thousand years to&nbsp;ancient cave paintings, modern graffiti is controversial because it is considered as vandalism and punishable as a crime. This controversy makes graffiti a subversive art form and underlies the political and social significance of graffiti in justice movements. The documentary, &#8216;Banksy and the Rise of Outlaw Art&#8217; (2020), explores the development of graffiti and the ways that Banksy&#8217;s art addresses social and political problems worldwide. <\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Banksy and the Rise of Outlaw Art\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/JYSU-BKRcRw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Banksy&#8217;s work builds on a movement launched by Jean Michel Basquiat, an American graffiti artist from Haitian and Puerto Rican descent who revolutionized graffiti in the New York art scene in the 1980s. Basquiat&#8217;s art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He&nbsp;integrated poetry, drawing, and painting with text and image as well as historical information. Basquiat used graffiti as a tool for communicating his experiences in the black community and to attack power structures&nbsp;and systems of racism. Review the gallery below and consider they ways that the elements and design of Basquiat&#8217;s work reflects his personal and political experiences. <\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"194\" height=\"259\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2020\/09\/images-4.jpg\" alt=\"\" data-id=\"1333\" data-full-url=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2020\/09\/images-4.jpg\" data-link=\"https:\/\/www.anthrocervone.org\/introtohumanities\/analysis-i\/art\/images-4-3\/\" class=\"wp-image-1333\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"168\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2020\/09\/images-3.jpg\" alt=\"\" data-id=\"1334\" data-full-url=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2020\/09\/images-3.jpg\" data-link=\"https:\/\/www.anthrocervone.org\/introtohumanities\/analysis-i\/art\/images-3-3\/\" class=\"wp-image-1334\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"224\" height=\"225\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2020\/09\/images-2.jpg\" alt=\"\" data-id=\"1335\" data-full-url=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2020\/09\/images-2.jpg\" data-link=\"https:\/\/www.anthrocervone.org\/introtohumanities\/analysis-i\/art\/images-2-3\/\" class=\"wp-image-1335\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2020\/09\/images-2.jpg 224w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2020\/09\/images-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"208\" height=\"242\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2020\/09\/images-1.jpg\" alt=\"\" data-id=\"1336\" data-full-url=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2020\/09\/images-1.jpg\" data-link=\"https:\/\/www.anthrocervone.org\/introtohumanities\/analysis-i\/art\/images-1-5\/\" class=\"wp-image-1336\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"195\" height=\"259\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2020\/09\/images.jpg\" alt=\"\" data-id=\"1337\" data-full-url=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2020\/09\/images.jpg\" data-link=\"https:\/\/www.anthrocervone.org\/introtohumanities\/analysis-i\/art\/images-7\/\" class=\"wp-image-1337\"\/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Viewer contexts<\/em> refers to the ways that viewers of art interpret the piece differently according to the viewer&#8217;s unique social and historical circumstances.  Viewers engage with and interpret a piece of art differently according to their unique lens. This leads to a wide variety of different viewer interpretations about the messages and meanings conveyed by the work. This is why it is not unusual for two students to analyze the same piece of work, yet come to very different or even opposing interpretations. Neither is right or wrong, they are simply different perspectives and point of views.  Learning about the many different interpretations of a single piece of art not only helps us understand the work better, it also contributes to a better understanding of human diversity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Watch the video below to listen to a conversation about Art and Context related to Monet&#8217;s &#8216;Cliff Walk at Pourville&#8217;  &amp; Malevich&#8217;s &#8216;Suprematist Composition: White on White.&#8217;<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Art and context: Monet&#039;s Cliff Walk at Pourville and Malevich&#039;s White on White\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/2aUFB9hQncQ?start=8&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Situating a piece of work in its social and historical context not only helps us develop a better understanding of the work, it also provides a window into the spirit of an age or way of life. It also provides access to the history and perspectives of ordinary people that have been excluded from official documents and historical narratives. This is the case of Malevitch&#8217;s pro-Russian revolutionary statement which presents a complicated view of working class struggle. In this way, visual art contributes to our understanding of diversity within the history of humanity.  <\/p>\n\n\n\n<h6 class=\"wp-block-heading\">Analyzing Visual Art<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Art analysis provides a means of extracting meanings and emotions from a visual representation by identifying and evaluation specific elements and then compiling the findings to develop an overall conclusion. Analysis not only evaluates the visual components of the work, it also considers the social and historical contexts in which the piece was produced. This requires additional research on the background of the author as well as an investigation into political, social, economic and cultural phenomena taking place during the artist&#8217;s lifetime. <\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Step one<\/strong>: Provide general information about the work: the artist, subject matter, date, location, technique or medium.<\/li><li><strong>Step two<\/strong>: Describe the technical aspects of the work. Use the elements of art and the principles of design to describe the techniques the artists used to create the piece. <\/li><li><strong>Step three<\/strong>:  Conceptual Perspective in Context:  Interpret concepts, messages and meanings communicated by the piece. What type of symbols are used? Does the artists draw from or build on previous people, places, or events? Use what you know about the social and historical life of the artist to consider how they are visually communicating abstract concepts (thoughts, feelings, emotions, ideas, experiences, etc.) visually. Sometimes a piece of art is accompanied by an &#8216;artist&#8217;s statement&#8217; that provides background, moods, motivation, etc. for the work that can be useful here. Otherwise, just give it your best guess. If the artist is anonymous, such as a cave painting, then consider what you know about the time and place the artist was living in and go from there. <\/li><li><strong>Step four<\/strong>: Viewer Context: Describe how you interpret the piece through your own lens. In what ways does the piece connect to broader shared human experiences (thoughts, feelings, emotions, etc.) that transcend time and space.  <\/li><li><strong>Step five:<\/strong> Pull  it all together to formulate YOUR conclusion or impression of the work. This is <em>your<\/em> statement about the piece.<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Watch the film&nbsp;<a href=\"https:\/\/youtu.be\/r8ffs_MeY5M\">Dissecting Boticelli<\/a>&nbsp;below learn more about art analysis and context vis-a-vis the artist. <\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Dissecting Botticelli&#039;s Adoration of the Magi - James Earle\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/r8ffs_MeY5M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption><br><\/figcaption><\/figure>\n\n\n\n<h6 class=\"wp-block-heading\">Visual Art in the Humanities<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Visual art provides a symbolic history of the unique experiences, thought and emotions shared by people through history and across cultures. By interpreting visual art, we can develop a more complex understanding of humanity that is more multi-dimensional than descriptive narratives provided by history books because art gives us a wide range of elements that communicate abstract concepts in non-literal ways. Engaging in artistic processes also provides producers, such as war veterans, the opportunity to express deep emotions and complicated experiences to a broader audience. <\/p>\n\n\n\n<h6 class=\"wp-block-heading\">References and Resources<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">To learn more about different approaches to art and art analysis, explore the links below.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a rel=\"noreferrer noopener\" href=\"https:\/\/ualr.edu\/art\/art-history-resources\/papers-and-projects\/guidelines-for-analysis-of-art\/\" target=\"_blank\">Guidelines for Art Analysis UA Little Rock<\/a><\/li><li><a rel=\"noreferrer noopener\" href=\"https:\/\/ualr.edu\/art\/art-history-resources\/papers-and-projects\/guidelines-for-analysis-of-art\/\" target=\"_blank\">Visual Analysis. Duke Writing Studio<\/a><\/li><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.khanacademy.org\/humanities\/ap-art-history\/start-here-apah\/intro-art-history-apah\/v\/goya-third-may\" target=\"_blank\">Art Historical Analysis using Goya&#8217;s Third of May, 1808 Khan Academy<\/a><\/li><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.studentartguide.com\/wp-content\/uploads\/2018\/04\/art-analysis-worksheet.pdf\" target=\"_blank\">How to Analyze An Art work: step-by-step guide<\/a><\/li><li><a rel=\"noreferrer noopener\" href=\"http:\/\/Shahla Nakhost Isfahani (2008) Art therapy with a young refugee woman \u2013 survivor of war, International Journal of Art Therapy, 13:2, 79-87, DOI: 10.1080\/17454830802503453\" target=\"_blank\">Shahla Nakhost Isfahani&nbsp;(2008)&nbsp;Art therapy with a young refugee woman \u2013 survivor of war,&nbsp;International Journal of Art Therapy,&nbsp;13:2,&nbsp;79-87<\/a><\/li><li><a rel=\"noreferrer noopener\" href=\"https:\/\/doi.org\/10.1080\/07421656.2013.757758\" target=\"_blank\">Alexander Kopytin &amp; Alexey Lebedev&nbsp;(2013)&nbsp;Humor, Self-Attitude, Emotions, and Cognitions in Group Art Therapy With War Veterans,&nbsp;Art Therapy,&nbsp;30:1,&nbsp;20-29<\/a><\/li><li><a rel=\"noreferrer noopener\" href=\"http:\/\/www.socstrpr.org\/wp-content\/uploads\/2013\/09\/MS_06372_Spring2013.pdf\" target=\"_blank\">Suh, Yonghee. Past Looking: Using Arts as Historical Evidence in Teaching History. Social Studies Research and Practice. <\/a><\/li><li><a href=\"https:\/\/theartsandeducation.wordpress.com\/2018\/01\/23\/scrutinizing-history-through-art\/\" target=\"_blank\" rel=\"noreferrer noopener\">&#8216;Scrutinizing History through Art,&#8217; in Artfully Learning<\/a><\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">For Discussion in Canvas<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Select a work of visual art (painting, drawing, sculpture, photography, etc.). Post an image of the piece and conduct an analysis of the piece using the analytical tools presented in the lesson. Respond to the analysis of at least two other students in the discussion. Consider how the students interpretation did or did not affect your impression of the work. If you analyzed the same work as another student, comment on the similarities and differences between your interpretations. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resources: <a href=\"http:\/\/www.artstor.org\/\">Artstor<\/a>, <a href=\"https:\/\/www.moma.org\/tickets\/select?gclid=CKm5-ujh9NsCFQZVgQod1G8JhQ&amp;gclsrc=ds\">MOMA<\/a>, <a href=\"https:\/\/www.artspace.com\/art\" target=\"_blank\" rel=\"noreferrer noopener\">Artspace<\/a><\/p>\n\n\n\n<h6 class=\"wp-block-heading\">For Journal Expression<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Imagine that you and the artist who produced the piece that you analyzed are going to do a collaborative piece. Integrate the elements of their art into your work. Provide a brief explanation of your piece identifying the artists and how you incorporated their style. <\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Below is an example of previous student work &#8211; can you identify the artists in the collaboration?<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"2016\" height=\"1512\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4217.jpg\" alt=\"\" data-id=\"859\" class=\"wp-image-859\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4217.jpg 2016w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4217-300x225.jpg 300w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4217-768x576.jpg 768w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4217-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 2016px) 100vw, 2016px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"2016\" height=\"1512\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4218.jpg\" alt=\"\" data-id=\"860\" class=\"wp-image-860\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4218.jpg 2016w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4218-300x225.jpg 300w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4218-768x576.jpg 768w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4218-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 2016px) 100vw, 2016px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"2016\" height=\"1512\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4219.jpg\" alt=\"\" data-id=\"861\" class=\"wp-image-861\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4219.jpg 2016w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4219-300x225.jpg 300w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4219-768x576.jpg 768w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4219-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 2016px) 100vw, 2016px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1512\" height=\"2016\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4220-e1574112589491.jpg\" alt=\"\" data-id=\"862\" class=\"wp-image-862\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4220-e1574112589491.jpg 1512w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4220-e1574112589491-225x300.jpg 225w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4220-e1574112589491-768x1024.jpg 768w\" sizes=\"auto, (max-width: 1512px) 100vw, 1512px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"2016\" height=\"1512\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4221.jpg\" alt=\"\" data-id=\"863\" class=\"wp-image-863\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4221.jpg 2016w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4221-300x225.jpg 300w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4221-768x576.jpg 768w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4221-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 2016px) 100vw, 2016px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"2016\" height=\"1512\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4222.jpg\" alt=\"\" data-id=\"864\" class=\"wp-image-864\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4222.jpg 2016w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4222-300x225.jpg 300w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4222-768x576.jpg 768w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4222-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 2016px) 100vw, 2016px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"2016\" height=\"1512\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4223.jpg\" alt=\"\" data-id=\"865\" class=\"wp-image-865\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4223.jpg 2016w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4223-300x225.jpg 300w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4223-768x576.jpg 768w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4223-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 2016px) 100vw, 2016px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"2016\" height=\"1512\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4224.jpg\" alt=\"\" data-id=\"866\" class=\"wp-image-866\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4224.jpg 2016w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4224-300x225.jpg 300w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4224-768x576.jpg 768w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4224-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 2016px) 100vw, 2016px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"2016\" height=\"1512\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4225.jpg\" alt=\"\" data-id=\"867\" class=\"wp-image-867\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4225.jpg 2016w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4225-300x225.jpg 300w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4225-768x576.jpg 768w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4225-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 2016px) 100vw, 2016px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"2016\" height=\"1512\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4226.jpg\" alt=\"\" data-id=\"868\" class=\"wp-image-868\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4226.jpg 2016w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4226-300x225.jpg 300w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4226-768x576.jpg 768w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4226-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 2016px) 100vw, 2016px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"2016\" height=\"1512\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4227.jpg\" alt=\"\" data-id=\"869\" class=\"wp-image-869\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4227.jpg 2016w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4227-300x225.jpg 300w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4227-768x576.jpg 768w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4227-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 2016px) 100vw, 2016px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1512\" height=\"2016\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4228-e1574112609603.jpg\" alt=\"\" data-id=\"870\" class=\"wp-image-870\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4228-e1574112609603.jpg 1512w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4228-e1574112609603-225x300.jpg 225w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4228-e1574112609603-768x1024.jpg 768w\" sizes=\"auto, (max-width: 1512px) 100vw, 1512px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"2016\" height=\"1512\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4229.jpg\" alt=\"\" data-id=\"872\" class=\"wp-image-872\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4229.jpg 2016w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4229-300x225.jpg 300w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4229-768x576.jpg 768w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4229-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 2016px) 100vw, 2016px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1512\" height=\"2016\" src=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4230-e1574112623996.jpg\" alt=\"\" data-id=\"873\" class=\"wp-image-873\" srcset=\"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4230-e1574112623996.jpg 1512w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4230-e1574112623996-225x300.jpg 225w, https:\/\/www.anthrocervone.org\/introtohumanities\/wp-content\/uploads\/2019\/11\/IMG_4230-e1574112623996-768x1024.jpg 768w\" sizes=\"auto, (max-width: 1512px) 100vw, 1512px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>For Extra Credit<\/strong><\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Art Galleries and Festivals offer a public benefit by providing access to art education and experiences to everyone in the community. To earn extra credit, visit the <a href=\"https:\/\/www.anthrocervone.org\/introtohumanities\/art-museum-visit\/\">Art Gallery <\/a>and <a href=\"https:\/\/www.anthrocervone.org\/introtohumanities\/art-walk-or-festival\/\" target=\"_blank\" rel=\"noreferrer noopener\">Art Walk<\/a> webpages.<\/p>\n\n\n\n<h6 class=\"wp-block-heading\">When you complete the art discussion and expression, move on to <a href=\"https:\/\/www.anthrocervone.org\/introtohumanities\/analysis\/film-theater\/\">Film<\/a>.<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Visual literacy refers to the ability to discriminate and interpret visible actions, objects, &nbsp;and symbols and to be able to<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":377,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"colormag_page_container_layout":"no_sidebar_content_centered","colormag_page_sidebar_layout":"no_sidebar","footnotes":""},"class_list":["post-101","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-json\/wp\/v2\/pages\/101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-json\/wp\/v2\/comments?post=101"}],"version-history":[{"count":10,"href":"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-json\/wp\/v2\/pages\/101\/revisions"}],"predecessor-version":[{"id":1429,"href":"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-json\/wp\/v2\/pages\/101\/revisions\/1429"}],"up":[{"embeddable":true,"href":"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-json\/wp\/v2\/pages\/377"}],"wp:attachment":[{"href":"https:\/\/www.anthrocervone.org\/introtohumanities\/wp-json\/wp\/v2\/media?parent=101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}